The cinema avant-garde is an acquired taste - especially because, as an observer, you have any doubts about the “artist”. It is a style that focuses more on the cinema as a visual rather than tell a story of the unit. Subtle infiltrates the symbolism of swirling colors and multiple images, but it is a feeling of emptiness can be filled by the weight of a thematic storyline. While imagination is trying to join the two worlds of avant-garde visual and a simple act, it gets lost in the gap between reality and dream.
Like a childhood dream by Michel Gondry (Eternal Sunshine of the Spotless Mind), about an imaginative breath, Stop-Motion universe to tell the story of two twins, the psychological and emotional link - Sarah is practically blind and has made about Anna, is a prisoner in his own imagination (hence the title) that they can connect with their counterparts in other. The two go through a series of psychological tests, as her family disintegrates. The action is quite interesting, a phenomenon from time to time in twins, but the style vanguard against any attempt to create thematic significance of the plot.
Rather than creating symbolic, if vanguard, the reasons justified the physical act, the director Eric Leiser rather its visual durcheinandergewürfelten recur in the dream sequences. By doing so, as its motivations and fawn key to the nature above the cliches like empty, instead of the increase in the real world. It also undermines the character ‘reasons, because we can not sympathize with mysterious images.
The only chance that we have as a spectator Dr. Reinhard Eger - the doctor, the treatment of the twins. Like a heavy-set Dr. Saturday Loomis (Halloween), Dr. Reinhard Eger revolves around the concern of metaphysics on the Status of twins who, in spite of his heavy hands voice-overs, it is the only relatable character, as he tries to decipher, the twins’ Kryptischen dreams. Vorherzusehen, good doctor is never coming to any conclusions and at the end, we feel closer to his father, from the left, near the beginning of the film and ended in a bar
Although the imagination in its fleet of action and the substance at the forefront stab works perfectly, even involuntary, in its emulation, style vacuum. The Stop-Motion presentations fetal twins in the womb of her mother and a girl, which is characterized by a forest of trees, they have their eyes, the knot of wood is the kind of film in no time our local multiplexes. There is rarely a vision, to see how unverfroren creativity, the film that has changed in the pods. Unfortunately, it is too often see that creativity in a thematic void that crumble filled with a visual spectacle and cliché.
